198CAL has been a pivotal force in fostering and amplifying Black Artists and Black Arts Movements. Since its inception in 1988, the gallery has provided unwavering support, advocacy, and a platform for over 400 artists, captivating audiences far and wide. 

This dedication has resulted in an expansive collection of historical artifacts, including digitized super-8 films from the renowned Brixton-based documentarian 'Sam the Wheels,' as well as an array of exhibition materials like press cuttings, posters, flyers, and press releases. Artist files housing photographs, biographies, and exhibition proposals, along with visual documentation of gallery events, visitor books, photo albums, magazines, and exhibition guides, collectively form a rich repository.

Of immense significance is the archive's power to reshape the narrative of British Arts, notably addressing the overlooked material histories of Black artists in the UK. It weaves a tale of evolution within Black Artists and Black Art Movements, showcasing their journey from the periphery to the forefront of the British visual arts scene. Moreover, it serves as a chronicle, delving into the multifaceted layers of political, social, economic, cultural, and environmental landscapes, particularly within Brixton, London, and the wider diaspora over the past three decades.

Several thematic areas resonate deeply within both the local community and the current socio-political climate:

Gender and Sexuality

The archive spotlights the often-unseen presence of Black queer artists, academics, activists, and cultural trailblazers within the broader Black queer Diaspora. It houses a trove of material from the likes of Ope Laurie, Blissful Chaos, Black Togetherness as Lingua Franca, and other remarkable Black LGBTQ+ artists.

Afrofuturism

By delving into techno-culture and science fiction, this section of the archive engages with themes and narratives stemming from the African Diaspora. Influential artists like Thandi Loewenson and Emily Mulenga contribute to envisioning black futures rooted in Afro diasporic experiences.

Environmentalism

Artistic exploration, experimentation, conservation, and our connection to shared spaces take centre stage here, featuring the works of artists such as Fernando Palma Rodriguez, Rebecca, and Katie Beinar.

Political and Social Histories

The archive serves as a chronicle, capturing the evolving social and political landscape of Brixton, covering themes like gender equality, identity issues, and gentrification. Highlighted content includes 'Voices from the Frontline,' 'People Signs and Resistance,' 'Brixton Bites,' and 'Family Histories by Rita Keegan.'

Black Communities and the Public Realm

Exploring the lived experiences of Black communities, particularly the Windrush generation, within public spaces. Themes encompass social housing, cultural heritage, carnival, protest through dance and movement, marketplaces, and policies such as stop and search. Artists and exhibitions like Helen Cammock & Rajkamal, 'Critical Contemplations: White Noise, Black Voices,' 'People, Signs and Resistance,' and 'Can the Archive Speak' feature prominently.

Visitor Information

The archive is open on Mondays and Tuesdays by appointment at 11am-5pm.

For archival enquiries and to book an appointment please fill in this form.

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198 Contemporary Arts and Learning,
198 Railton Road,
SE24 0JT

0207 978 8309

info@198.org.uk

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198 Contemporary Arts and Learning is a registered charity (no 801614) and registered company (no 2369267 England and Wales).